Monday, March 22, 2010
I was reading a blog of a fellow artist that I met on Twitter which you can find here. She was asking about getting started in pastels, what is a good brand to use etc. I tried to comment on her blog but for some reason it didn't go through. I figured this would be a good subject for a blog post so I'm about to hit you all with some knowledge...or experience...or whatever you want to call it!
To start I was trained in pastels by the most awesomest, Betty Shelton, at Laguna College of Art and Design. Yes, I know awesomest is not a word but I'm an artist not a writer! I also took at workshop a couple of years ago with Diana Ponting I have pretty much worked exclusively in pastels since my daughter was born 3 years ago except for one oil painting I did for a friend.
I started out with the largest set of hard Nupastels (96 pieces) available. This is a good starter set. If you can't afford 96 get the largest set you can afford. Hard pastels have more binder than pigment which makes them harder. When you paint/draw on your paper harder pastels leave less color on the page whereas soft pastel leave more. Its easier to learn with hard pastel because it does not fill up the tooth of the paper as quickly. Once the tooth is filled it is extremely hard to get anymore pastel to go on the page!
I usually start with hard Nupastel and then add soft pastels on top. This allows me to tone the paper without filling the tooth. My favorite brands of soft pastel are Rembrandt and Terry Ludwig. I purchased the set of 120 Rembrandts 60 full sticks, 60 half sticks. I have been extremely happy with variety. I have a special set of darks from Terry Ludwig. It is very important to invest in darks as soon as your finances allow! It brings a wonderful depth to your paintings. I have a couple of sets of Sennielier which I hardly ever use. I purchased them before trying any of that brand and then found out that I wasn't a fan. I suggest before investing in a large set that you purchase a few open stock pastels and take them for a test drive. They may be more costly when purchased separately but it will save you money in the long run when you can put more money towards a brand you love!
When to use soft and/or hard pastels?
Like I said earlier I usually start with Nupastels. I go in with Rembrandt pretty early because even though they are soft pastels they are on the harder side of soft. I use softer pastels on top to give it a rich velvety texture, especially in the light areas because it helps the lights to pop off the page, like when oil painting you layer thick paint in the lights and keep the dark areas thin. I sometimes go back on top of soft pastels with hard pastels for a different effect. You can push soft pastels down into the tooth of the paper with hard pastels.
In her blog Vanessa had expressed concern that the longer you use hard pastels the harder it is to transfer over to using soft pastels. I haven't found that to be the case at all. I actually feel that the longer I used hard pastels the easier it was for me to figure out how to use soft pastels. Soft pastels are fun but they can be very frustrating when you can't quite figure out how to use them. I think the biggest problem when learning to use soft pastel is that it feels the tooth of the paper so quickly that you can't layer any more pastel.
That brings us to paper! I started out on mi tientes canson paperr. This paper at the time I thought was expensive but now I think it is really affordable! It is easily found at Micheal's or Hobby Lobby for a couple of dollars a sheet. The next paper that I tried and fell in love with was Sennelier LaCarte pastel paper. It feels almost like sandpaper but much softer. The biggest problem with LaCarte paper is that it can not handle water at all. If you blow on you paper and you happen to get a little bit of spittle on the paper do not touch it. You must wait for it to dry completely or else the texture of the paper will fall off you will be left with a spit sized white spot that won't accept pastel! Colorfixpaper by Art Spectrum is another one that feels like sandpaper. I have only used it once but would really like to give it another try. My new favorite paper is Kitty Wallis paper. It takes tons of layers of pastel, you can get it wet...its actually really cool when you get it wet. Kitty Wallis paper takes tons of abuse! You can erase on it or totally obliterate your picture with water and the paper still looks like new!
Well I guess this is enough information. I hope I didn't overwhelm ya'll!
Friday, March 19, 2010
I think I may have finished this piece. I might have a little bit of ooddling to do but I felt like posting a picture so here it is! Sometimes it takes a while to know if something is finished or needs some more tweaking. When I get to a point when I'm not sure if it is done then I take a step back and look at it and look at it and look at it! I think that Brian thinks I'm crazy or maybe conceited because I'm always poking my head into my studio to check out whats on my easel. I wish I had someone around that would give me a good critique. This is your chance...what do you like, what would you change?
From the underpainting picture you can see that I edited a few things. I took out the back of the chair because it was so distracting. My eye kept going to that stinkin' chair. I also made her arm shorter. I worked on her face forever! I think I put it in and completely wiped it out about 5 times. I was really beginning to become frustrated! The good thing about all this, I'm getting my monies worth out of this wallis paper! Lacarte would have never stood up to all the abuse I've given this painting! In case you were wondering, this painting is based on a picture I took of my beautiful friend Betsey.
Sunday, March 14, 2010
Friday I went to Raleigh, NC to take Faith to the Museum of Natural Sciences. It was free so if you ever want to do a day trip with your kids you should check it out. While we were down there I stopped by an art supply store...they are few and far between here in the Greensboro/Burlington area, none of which carry much in the way of pastels. I stopped at Jerry's Artarama and bought a couple of Unison pastels which I have never tried so I'm excited to use those and I got Wallis paper. I've never used Wallis before but I think it is going to be my new favorite! I started a painting today. I just have an underpainting down but I thought I would show it so you can see. The biggest difference between Wallis paper and the paper I have been using is that Wallis paper accepts water. Which is awesome! I put down some pastel and then went over it with some water and a brush so it looks like watercolor. I can't wait to see how this turns out. Unfortunately the longer I paint the more expensive my taste gets in paper. I had better stop while I'm ahead huh?